Lily Allen, 'Alright, Still' (Capitol)
In "LDN," a breezy reggae-pop jam from her debut album, 21-year-old Lily Allen describes a bike ride through her hometown of London and notes that objects in her mirror are more screwed up than they appear. "When you look with your eyes / Everything seems nice," she chirps.
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Sondre Lerche, 'Phantom Punch' (Astralwerks)
On the heels of last year's The Duper Sessions -- his total immersion in neo-Tin Pan Alley craftiness -- Lerche obviously wanted to loosen up and rock a little.
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Sonic Youth, 'The Destroyed Room: B-sides and Rarities' (Geffen)
As aging punks who value the album-as-statement, Sonic Youth release anthologies that hang together remarkably well (see their indie-'80s primer and video collection Screaming Fields of Sonic Love).
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Lee Hazlewood, 'Cake or Death' (Ever)
Lee Hazlewood's farewell to the recording industry is as oblique as his journey through it, which took him from producing Duane Eddy to saving Nancy Sinatra's career to making a series of ever-more-baffling and often genius solo albums in the '70s.
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Dustin Kensrue, 'Please Come Home' (Equal Vision)
Some artists use solo projects to chase wild hairs. But here, Dustin Kensrue exorcises tunes that are far too conservative -- musically and ideologically -- for Thrice, the heady, prog-leaning emo outfit he fronts.




