Califone, 'Roots & Crowns' (Thrill Jockey)

Drowsy rambles from one dusty corner to another.

Califone's music is like a half-remembered dream or a mysterious, plotless film, veering from pleasantly womb-like to inexplicably creepy.

Portastatic, 'Be Still Please' (Merge)

Ex indie-punk frontman with more stirring, downcast songs.

With his eighth album as Portastatic, Mac McCaughan still has his feet on the ground -- befitting what began as a subdued side project to his now-shuttered main band Superchunk.

Graham Coxon, 'Love Travels at Illegal Speeds' (Parlophone)

Ever-bummed Blur guitarist finally sounds more hopeful.

Graham Coxon's early solo work was built mostly around tuneless self-pity and amplifier flatulence, so it was a welcome surprise when 2004's Happiness in Magazines featured actual pop songs. The guitarist's sixth album is his most accessible yet, crammed with melodic Brit punk played at maximum speed.

Page France, 'Hello, Dear Wind' (Suicide Squeeze)

Bright-eyed songs of faith for those unafraid to commit.

The second album from this Maryland indie-rock foursome comfortably seeps into your consciousness -- it's rich in melody and rife with dreamy natural/Biblical imagery ("Jesus will dance while we drink his wine"; "I'll shed a feather for the Lord").

The Pernice Brothers, 'Live a Little' (Ashmont)

Dark disquiet disguised as luxurious easy listening.

For nearly a decade, Joe Pernice's poetic elegies have deftly blurred the line between soft-rock melancholia and murder-suicide notes.

The Hold Steady, 'Boys and Girls in America' (Vagrant)

Bar-stool bands spill more sentimental songs about drugs and parties.

The Hold Steady's Craig Finn infuses his windy tales of youthful debauchery with a mixture of detective-fiction luridness and first-club-show romanticism.

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