Meat Loaf, 'Bat Out of Hell III' (Virgin)
This album was haunted by a now-resolved legal dispute between Meat Loaf and long-time collaborator Jim Steinman, and many may still cry, "False Bat!": A few of the seven Steinman-penned tracks have been recorded previously (including "It's All Coming Back to Me Now," a hit for Celine Dion). Too bad.
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Adem, 'Love and Other Planets' (Domino)
This singer/songwriter's second album combines subtle notions of folk and electronics, and the result is fleetingly pop-oriented music that sounds transmitted from a bedroom on Venus.
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My Morning Jacket, 'Okonokos' (ATO/RCA)
My Morning Jacket effectively channel both Southern rock riff logic and the off-planet Pink Floyd – no surprise they played a three-hour set at Bonnaroo this year. Naturally, a double live CD recorded at San Francisco's Fillmore was a historical inevitability. Okonokos finds them in full into-the-stargate mode, blowing out songs and jamming till dawn.
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Badly Drawn Boy, 'Born in the U.K.' (Astralwerks)
Damon Gough is an engaging songwriter, so why isn't his fifth album as Badly Drawn Boy more, well, engaging?
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Various Artists, 'The DFA Remixes Chapter 2' (DFA/Astralwerks)
You have to travel pretty far back -- to Michael Zilkha's late-'70s/early-'80s Ze Records -- to find New York dance music as purely entertaining as the minimalist, thumping tracks of DFA's James Murphy and Tim Goldsworthy. In the same spirit as the pair's first volume, Chapter 2 doesn't merely document; it selects tracks that hold together as an album.
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Todd Edwards, 'Odyssey' (i!)
Dance music is full of auteurs, and one of the greatest and most undersung is New Jersey's Todd Edwards, whose cut-and-paste production style has influenced everyone from Daft Punk (whose "Face to Face" he coproduced and sang) to entire swathes of U.K. garage.


