At Chicago's Lollapalooza, photographer Brian Sorg and SPIN deputy photo editor Jennifer Edmondson created portraits of some of the festival's coolest performers. Here, Sorg talks about each shot:
For NYC-based Cults, Sorg wanted to contrast the band's monochromatic style with a splash of color, so he asked them to play with some smoke bombs that he'd hidden in his camera bag. "[Singer] Madeline [Follin] was worried about getting color all over her, and when her yellow smoke bomb started to bleed onto her hand, she tossed it -- this is that moment," says Sorg, who loved the couple's playful chemistry.
In 1978, Kraftwerk released The Man-Machine, an album that openly explored the intersection of humanity and technology. Nearly 40 years later, that examination is still underway, and the electronic-music community can’t seem to decide whether or not humanity’s ever-increasing dependence on technology is a good thing. Matrixxman a.k.a. Charles McCloud Duff is the latest artist… More »