Sleigh Bells / Photo by Kyle Dean Reinford
BEST FRONTWOMAN HYBRID: SLEIGH BELLS
Alison Mosshart's dangerous sex appeal + CSS singer Lovefoxxx's upbeat dance-floor groove + Crystal Castles badass Alice Glass' noisy ferocity = Alexis Krauss, a school teacher turned steamy indie siren leading Brooklyn duo Sleigh Bells. Saturday night, she shifted from hip-hop and electro sass to power-rock, gyrating her hips in black tights, a mesh shirt showing a hot pink bra, and gold hoop earrings. She flipped her hair and fired over low-end electro beats and terrorizing nu-metal guitars courtesy of ex-Poison the Well axeman Derek. "No, no, no!" she huffed and puffed. Actually, yes, yes, yes! -- WILLIAM GOODMAN
Surfer Blood / Photo: Matt Kiser
Click to enlarge
Circa Survive / Photo: Eric Nowels
Click to enlarge
Minus The Bear / Photo: Eric Nowels
Click to enlarge
Download our free Must-Hear Bands album. Plus, get the latest news, photos, and more. GO NOW!
BEST GROWTH SPURT: SURFER BLOOD
When I saw wobble-pop purveyors Surfer Blood play at last year's CMJ festival in New York City, I was underwhelmed. Singer-guitarist JP Pitts sounded strained and yelpy and the band as a whole seemed nervous and unsure of what to do with itself on stage. Not anymore. On Saturday night, Pitts sang with full-throated accuracy and strutted around the stage like he belonged, leading the band through catchy, Weezerian songs from this year's Astro Coast. At one point, second guitarist Thomas Fekete plucked out a solo with his teeth, prompting a friend to say, "Not that kind of band, dude." He's right, but it was great that Fekete had the balls to go for such a flashy bit of showmanship. --DAVID MARCHESE
BEST COVER: CIRCA SURVIVE
Playing to a throng of diehard fans on the frozen tundra of Stubb's BBQ, this Philly-based, turbocharged rock act was forced to pack as much wallop into their abbreviated set as possible after temperature-related issues with in-ear monitors sabotaged their start. But frontman Anthony Green is a force of nature, a whirling dervish of flailing arms and legs with a fuel-injected holler sourced from somewhere deep within. And while he lamented that it was "as cold as a billion dicks" outside, and had trouble hearing himself, Green quickly made folks forget they'd lost feeling in their extremities, particularly on a cover of Nirvana's "Milk It." Guitarists Colin Frangicetto and Brendan Ekstrom married Kurt Cobain's gnarly riffage with some stunning higher register wails, while Green took the vocals into operatic ranges never reached by the late grunge icon. If Courtney Love had heard them from down the street at the Perez Hilton party, where Hole was playing, she'd undoubtedly have already tweeted 47 love notes to Circa Survive. -- PETER GASTON
BEST MATERIAL FROM MODEL MATERIAL: KAREN ELSON
"I think I'm getting frostbite!" Karen Elson told a modest crowd during an outdoor set on a blustery, 40-degree afternoon at the French Ligation. Indeed, if anybody was there just to gawk at the supermodel wife of the White Stripes' Jack White, they were sorely disappointed. Fronting a color-coordinated band (peach and black), Elson declined an offer of a coat from a fan and soldiered on. The guitar-wielding 31-year-old, whose debut album (produced by her hubby) will be out this summer, has a loungey, twangy vibe that ventures into ethereal territory on her recently released single "The Ghost That Walks." And a nice touch: a rendition of Jackson C. Frank's "Milk and Honey," known primarily from cover versions by Nick Drake and Sandy Denny. -- KEVIN BRONSON
BEST UNDERATTENDED GIG: FRANKIE AND THE OUTS
In an indie rock popularity contest, Frankie Rose would be hard to beat, since the Brooklynite has drummed for garage-pop mainstays Crystal Stilts and Vivian Girls. This fall Frankie split from the Stilts to focus on her own jangle-pop project, Frankie and the Outs, who performed at Spiderhouse's chilly outdoor showcase. The band's debut 7-inch was out this fall on pioneering indie pop label Slumberland Records. "Thee Only One," like most of her songs, soundED straight from '80s fuzz-pop group (and labelmates) Black Tambourine's discography, with extra girl group harmonies for good measure. But ultimately the temperature beat the band; they called it quits after an all-too-short five-song set. -- JENN PELLY
BEST MEN IN BLACK: THE BOXER REBELLION
You've heard music like the Boxer Rebellion's before -- dark, brooding, churning Brit-rock made by lads who keen their angst over ringing guitars and 4/4 beats. The quartet, which made waves when its 2009 digital release Union cracked the Billboard charts, seems intent on separating itself from the pack. American singer Nathan Nicholson and his bandmates (an Australian and two Brits) easily won over a Cedar Street Courtyard crowd with songs like "Evacuate." Now for the big stuff: recording their third album this summer with Ethan Johns (Kings of Leon, Ryan Adams, the Vines), and appearing as themselves in the Drew Barrymore movie titled Going the Distance. -- KB
BEST ATTEMPT AT WARMING UP A COLD NIGHT: MINUS THE BEAR
"This weather is a tuning nightmare," said Minus the Bear singer-guitarist Jake Snider towards the end of his band's set on Stubb's fairly unprotected outdoor stage, just after another gust of wind ripped through the hoodied masses. The 40-degree temperatures were a nightmare in general -- most out-of-towners were vastly unprepared for yesterday's cold spell -- but the Seattle quintet's decision to play "Pachuca Sunrise," a cut from their 2005 album, Menos el Oso, was a fitting distraction. Its opening line about a night on a beach in the Mediterranean, coupled with warm, wavy guitar work from Snider and Dave Knudson, proved a truly transporting combination for a fleeting moment -- until that next gust of wind. -- PG
